Thursday, February 23, 2017

The importance of government funding to SJMA and you


Dear members of SJMA’s community,

Community and advocacy are at the heart of the Museum’s work. With that in mind, I wanted to write with a few updates and to keep you apprised of the Museum’s accomplishments, especially at this time of change in our nation.

Government support is so important to the San Jose Museum of Art. The Museum has received critical support from the  National Endowment for the Arts’ Artworks program for several of our recent major exhibitions—including Border Cantos: Richard Misrach| Guillermo Galindo (2016) and Postdate: Photography and Inherited History from India (2015).

These competitive NEA grants support opportunities for the public to engage with “diverse and excellent art” across the country. They play an instrumental role in enabling mid-sized, community-based institutions like SJMA to develop and present ambitious original projects.  

It is similarly thanks to a 2015 generous grant from the Institute of Museum and Library Services—the primary source of federal support for the nation’s museums and libraries––that SJMA has been able to take its STEAM-education program, Sowing Creativity program to the next level.

We are thrilled to announce that Sowing Creativity just received a 2017 Superintendent's Award for Excellence in Museum EducationThe program currently serves one thousand students per year, the vast majority of whom are based in low-income Title One schools. We anticipate enrollment to more than triple in the next school year to some three thousand students). This high-impact program includes in-school teaching, family passes, and on-site visits.

To further amplify the importance of government support, I am pleased to inform you that the Museum is the grateful recipient of another incredibly generous grant from the IMLS in 2016.

Your SJMA received IMLS support to design, research, produce, and launch an online collections catalog to be released in conjunction with the Museum’s fiftieth anniversary in 2019. Interactive and multimedia content will highlight a core set of fifty artists. This form of federal funding — along with your support and participation —is so essential to the Museum’s success,.

What can you do to help? You may have seen recent news reports that suggest what we anticipated following the 2016 election: the National Endowment for the Humanities (NEH) and National Endowment for the Arts (NEA) could face potential elimination. IMLS is also up for renewal. The Trump administration is reportedly working from a blueprint from a Heritage Foundation report that calls for drastic cuts and consolidations of federal programs and agencies, including the elimination of NEA and NEH.

Laura L. Lott, president and CEO of the American Alliance of Museums (AAM), notes, “We are extremely concerned by these reports, and the museum field will stand strongly against any effort to gut the important work of NEA and NEH, or any other federal agency supporting the work of museums. These agencies play a uniquely valuable role in helping make the arts and humanities accessible to every American.”  

Here’s how you can help right away:    
  • Go on record in support of NEA and NEH. Make sure your members of Congress know how important these funds are to your museum. Use AAM’s template letter and personalize it with information about how the NEA-sponsored exhibitions and programs at SJMA have affected you.
  • AAM has other tools and templates to help you advocate, such as its op-ed templates.
  • Find out who represents you in Congress and in your state legislature and get ready to lend your voice when we’ll ask you to “Advocate from Anywhere” on Museums Advocacy Day, February 28.
You are at the heart of what we do. Thanks to the success of the exhibition Beauty—Cooper Hewitt Design Triennial (on view through February 19, 2017), the Museum has seen a 39% increase in attendance over last year. Our Lunar New Year Community Day on January 28 set a new attendance record with just over 3,500 visitors.

THANK YOU for all you do to help SJMA connect, inspire, and delight!

Warm regards,

Susan Sayre Batton
Interim Director



San Jose Museum of Art, 110 S Market St, San Jose, CA 95113 www.SanJoseMuseumofArt.org

Monday, December 05, 2016

Review: Silas Marner

Silas Marner Silas Marner by George Eliot
My rating: 3 of 5 stars

The language and psychology of this classic were extraordinary, felt like Joyce at its best; but at the same time it was pure treacle. Still, I am proud to say I've "read" George Eliot: maybe someday Middlemarch.

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Friday, September 02, 2016

Review: Their Eyes Were Watching God

Their Eyes Were Watching God Their Eyes Were Watching God by Zora Neale Hurston
My rating: 5 of 5 stars

Performed by Michele-Denise Woods, this classic work flows so smoothly read aloud, like it was meant to be. Strangely the last disk broke, so I had to read the last portion from the novel itself: a perfect mixture of how to take in this book like true nourishment. There is so much truth to Hurston's observations about men and women, primal like old testament source material and wielding metaphors new and timeless. Kind of amazing to think how many ships this books set to sail, as short and simple as it is.

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Monday, August 29, 2016

Review: Buddha, Vol. 8: Jetavana

Buddha, Vol. 8: Jetavana Buddha, Vol. 8: Jetavana by Osamu Tezuka
My rating: 5 of 5 stars

...and I'm done! Buddha, too. The lesson (no spoiler, really...): it's about us, y'all; the divine is in each and everyone of us. So proud to have done this Tezuka Saga.

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Review: Buddha, Vol. 7: Prince Ajatasattu

Buddha, Vol. 7: Prince Ajatasattu Buddha, Vol. 7: Prince Ajatasattu by Osamu Tezuka
My rating: 5 of 5 stars

The trials of middle age and bureaucracy.

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Wednesday, August 24, 2016

Review: Ayako

Ayako Ayako by Osamu Tezuka
My rating: 5 of 5 stars

I was reading one of the Buddha books when waiting at the DMV and a Japanese man younger than me, got really excited saying "TezuKAH, he is the greatest. Very great. You must read more." He described Ayako as one of the artist's best, a classic that deals frankly with great problems for Japan after the war. His enthusiasm and intensity was so sincere and well received by me. I went right out to Kinokuniya and bought it. After page 200 or so I could not keep myself form reading the rest of the book in one sitting. When Tezuka does his adult works, there are illustrations that are so exquisite. His pacing is extraordinary, and his storycraft completes with great literature. Concurrent with this I am listening to Gogol's Dead Souls. There are parallels in the change from agrarian to modernist society, the pitfalls and tragi-comic themes.

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Saturday, August 20, 2016

Sunday, August 14, 2016

Review: Jimmy Corrigan, the Smartest Kid on Earth

Jimmy Corrigan, the Smartest Kid on Earth Jimmy Corrigan, the Smartest Kid on Earth by Chris Ware
My rating: 3 of 5 stars

Ware's whole approach is pretty intense: extraordinarily ordinary, told with an unforgettable storytelling strategy. While this feels like a classic, I have a hard time adoring this as I might like.

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