Somehow I Felt A Lot of Upside Here for America's Future

Two articles in my Sunday New York Times made me feel very postive about America's future for some reason. And so I wanted to paste them here for exploration later.

Harry MacAvoy lauds the merits of having been born specifically in 1957 here.

And RoseLee Godlberg who I studied with briefly at NYU "When asked her age, Ms. Goldberg said:

'I’m old enough to have gone to my first Bienniale and Documenta in 1972 and to have a 28-year-old daughter.')" Adding about the creation of PERFORMA: “I really wanted New York to have that feeling again,” she said. “The sense that creative people own the city, and that everything is possible.”

makes you feel like anything's possible and us Gen Xers, the DIYers ain't even where they're at yet...nice to be 40.

Comments

Why Go to A Conference Anyways?

@lidja @lyndakelly61 @futureofmuseums @creativemerc @museum_flavor pLz look http://tinyurl.com/qxlja4 &here http://bit.ly/q1mhV assoc./conf. grpthink @RichardMcCoy @DanielCull very import.

Naomie Kremer's Ghosts

As part of the Magnes WINDOWS series , the latest installation is by Israeli-born, Berkeley-living artist Naomie Kremer . The WINDOWS series was launched to use the Magnes new facility to positive effect, namely as public art to be viewed at night: to bring more cultural content to downtown Berkeley and in the evenings when the street traffic is less -- to light up the night. Kremer's opening was this evening and we had a really nice turn out, including important local patrons of the arts, collectors etc. Here pictured are Jeff and Jane Green , Penny Cooper (one of the Bay Area's finest collections, focused primarily on women artists with her wife Rena Rosenwasser ). Here Naomie introduces her video piece on Bluebeard's Castle, by Bela Bartok .

Review: Macbeth

Macbeth by William Shakespeare My rating: 4 of 5 stars Four and a half stars, with one major flaw: the producers chose to do this funny little trick of overlaying Cumming's voices when he was multiple characters, namely three weird sisters when they spoke at once. The result was echo-y and distracting. Otherwise, the whole thing felt like the smartest guy in the neighborhood inviting you over to listen to him read, and you cared: knew the story and really wanted to hear how he delivered. It was intimate and rewarding. It also made me think about how it is a story of Scots and English. View all my reviews

loveitallabove

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